Wild About Harry

]>Warner Bros. Consumer Products continues to cast a spell of its own on Harry Potter literary- and film-based fans. Harry Potter's magic wand seems to have wielded quite the spell over literary and film fans alike. So much so, that one can say a Harry Potter "phenomenon" has been underway since the release of author JK Rowling's first title, "Harry Potter and the Sorcerer's Stone." And it's not just kids. Through her imaginative and graphic writing, Rowling has gripped and enticed audiences of all ages into a world of wizardry and magic wonderment. Then it was the job of Warner Bros.-with the worldwide film, licensing, and merchandising rights-to wield a wand of its own. Now, with the third film in the Harry Potter series-Harry Potter and the Prisoner of Azkaban-set for release June 4, 2004, Warner Bros. Consumer Products has something else up its sleeve. And License! got the exclusive story. "There is no phenomenon bigger than Harry Potter. Globally, there is no literary property that has permeated kids' lives the way Harry Potter has," confirms Jordan Sollitto, executive vice president of worldwide marketing, Warner Bros. Consumer Products. To further drive the phenomenon home, particularly where consumer products are concerned, Warner Bros. went straight to the source-fans. In the broadest, most comprehensive global research ever commissioned by Warner Bros. Consumer Products, the company embarked upon a "temperature check" of Harry Potter fans, children in particular. In this exclusive interview with Sollitto, who says the reason for the research was "Warner Bros.' responsibility to the magnitude of the Harry Potter phenomenon," he describes the research tactics, what was extracted and learned from the study, and how Warner Bros. will further enhance an already flourishing consumer products program with a new additional program utilizing the artwork of illustrator and (for the most part domestic) Harry Potter book jacket and chapter artist Mary GrandPre (see sidebar, p. 28). It took six months to conduct the research, which concluded one year ago. A global study that included the U.S. and approximately five to six international countries, the majority of the research was conducted in children's homes, after primary research was conducted online. All research segmented kids by age. According to Sollitto, research moderators first talked informally with kids about their lives, likes, and dislikes, and "in every instance, within six to seven minutes, one of the kids mentioned Harry Potter. So, the kids took us there," explains Sollitto. So, what was learned? According to Sollitto, two distinct Harry Potter consumer segments exist:Literary Based: This consumer segment skews a bit older (core is a 9-year-old boy or girl, up to age 13; secondary market is readers ages 7 to 8). These are the kids who avidly read and reread Harry Potter books (five times, in some instances). "These are kids you will find hiding under the covers late at night after their bedtime with a flashlight to read Harry Potter," says Sollitto. He adds that this market is well-versed in the "literature, lore, and unique laws and physics that govern the world of Harry Potter." In addition, these kids are "less needy of consumer products; products need to be incredibly faithful and loyal to what occurs in the literature."All Things Harry Potter: This consumer segment skews a bit younger (6- to 7-year-old boy or girl). According to Sollitto, this segment loves Harry Potter literature as much as the literary-based segment, but takes its cues from a broader expression of all things Harry Potter. "The books, movies, DVDs, toys, apparel, this segment describes a broader panoply of Harry Potter," says Sollitto. "Because they are younger, these children don't necessarily dwell on an absolute replica of every unique detail of Harry Potter."

New

for Warner Bros. Consumer Products is a literary-based consumer products program, with artwork commissioned from Mary GrandPr This program, according to Sollitto, will be smaller in breadth compared with the entertainment program but will feature the "authenticity those kids demand." "We did not take the same kind of poetic liberties with the literary-based consumer as we did with the entertainment-based consumer. The imagery used for the literary program almost walked right out of the book," says Sollitto. As for licensees involved in this program, he explains, "If the licensee is the same for the literary program, it's because that licensee has the capability to design very different products. There are very specific fabrication and product design requirements." Some new licensees and product categories that can be found in the literary-based program include: journals and diaries from Antioch Publishing, collector dolls from Madame Alexander, and ornaments and water globes from Seasonal Specialties. Another example of literary product strategy is an upcoming line from Cap Candy. In addition to past favorites Chocolate Frogs and Bertie Bott's Every Flavour Beans, the company will introduce items such as Droobles Best Blowing Gum, Ice Mice, Fizzing Whizbees, Jelly Slugs, and Acid Pops, all of which one might find on the pages of Harry Potter in Diagon Valley or Hogsmeade Village.